Trophy horse
Square on all four feet, head up, mane and tail held in black. This is the shape associations hand to a champion.
Bronze Horse Sculptures, Cast in Brass
Five designs, all cast in brass by the lost-wax method and finished by hand. A standing horse for awards, a rearing horse for shelves, two Tang-style horses for lobbies and retail, and a galloping pair on shipwreck wood for statement spots.
Not every horse suits every space. The standing one was built for awards. The rearing one reads at a glance on a shelf. The Tang horses are made at tabletop scale for lobby consoles and retail windows.
SIGNATURE PIECE
Bronze Horse Trophy
Square on all four feet, mane and tail held in black. The shape associations hand to a champion.
TROPHY
Standing horse for awards and champion presentations
MATERIAL
Cast brass, hand-chased, hot patina, sealed with wax
MADE FOR
Awards, lobby consoles, retail windows, private collections
Same casting method, five different jobs.
Where each design is meant to sit
Bronze Horse Trophy
Rearing horse
Up on the hind legs, front hooves off the ground. On a shelf it reads at a glance, and the black hair pulls the eye down to the hooves.
Tang horse, turquoise patina
Head high, chest forward, legs planted — Tang court posture, not a copy of any one piece. The turquoise patina goes on by hand, layer by layer.
Tang horse for commercial spaces
The same family built for procurement: turquoise patina, gilded saddle, and a scale that sits on a console or a retail plinth.
Galloping Horses Sculpture
Galloping pair — two horses crossing mid-stride, one dark one silver, on reclaimed shipwreck wood. The only multi-figure design in the line.
Everything here starts as a wax model, one per casting.
How each piece is cast
01
One wax, one casting
Each piece gets its own wax model. It is slower than working from a re-used mould, and it keeps the detail a re-used mould flattens.
02
Hand-chased, then hot patina
Chasing, patina and finishing are done by hand after the pour. The two-tone finish on the standing and rearing horses is patina, not paint, so the contrast does not chip off.
03
Sealed with wax
Every casting is sealed after the patina goes on, so the colour stops darkening and the surface survives handling. Small step, and most buyers only notice it when it is missing.
Two of the four are made to your dimensions.
Sizes, weights and bases
01
Made to your dimensions
The standing and rearing horses are scaled to the cabinet, plinth, shelf or mantel you have. Give us the measurement and we cast to it, rather than handing you a fixed size and calling it custom.
02
Roughly 20 to 100 cm
The Tang horses are made in that range, larger sizes possible. At that scale the casting is hollow — the wall is kept thin, and the piece still carries real weight for its size.
03
Wooden bases
The standing horse sits on a cast ground with a rectangular wooden plinth. The others take a wooden base, and reclaimed shipwreck wood can be used when the piece is a one-off.
Most buyers start with a reference and a measurement.
Ordering a custom version
Start from a reference
A drawing, a photo of the piece you want, or a horse you already own and want cast again at a different size. All three work.
Tell us the use
Quantity, the space it goes in, and the window you are working to. We will say plainly what fits and what does not.
One contact point
Casting, patina, finishing, base and export packaging sit with us, so there is one place to ask when something needs to change.